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LABYRINTHS

Different Types of Labyrinth

As already stated, there are a number of different types of labyrinth. The Labyrinth Society, an international focus for all matters labyrinthine, has evolved a classification system to simplify the discussion of labyrinths. The main categories are: Classical, Mediaeval (which includes the Chartres style) and Other.

The earliest datable example of a Classical labyrinth, one of the earliest known labyrinth patterns, goes back to 1200 BCE on a clay tablet from Pylos in Greece. Another example was discovered on a coin found at Knossos, on Crete, and was dated at circa 300 BCE. In style, the Classical labyrinth looks somewhat like a cross-section of the human brain, weaving back and forth from left to right. The most common form has seven circuits, though three, eleven or even fifteen have been used at one era or another.
This design is also one of the easiest to draw, beginning with a very simple seed pattern. (If you would like to try doing this, and I would highly recommend it, please visit Sig Lonegren’s Labyrinth Section on his website www.geomancy.org . Sig is one of the fathers of the labyrinth in our times, and I owe my own first experience of labyrinth-creation to him, one of many reasons that I am blessed to have him in my life. Sig’s book, now in its second (revised) edition, Labyrinths: Ancient Myths and Modern Uses. (Pub Sterling Publishing Co. ISBN 0-8069-7407-9) is still recognised as one of the best introductory books on the market and is well worth a read.) Although generally acorn-shaped, the Classical style labyrinth may also be square in form. The strongly classical nature of their origin is reflected in the tradition of calling them names akin to “Troy”, such as “Troytown” or “Walls of Troy”.

Derivations of the Classical style labyrinth include the “Hecate” (or chakra-vyuha)and the “Nordic” forms. The first known representations of the “Hecate” date from 16th Century in India, but its existence seems to have been referenced much earlier in the India epic, The Maharabatha, where it was considered to be a magical defensive dance for some of the great armies. The “Nordic”, as suggested by its name seemed to evolve in Scandinavia and Germany, and features an elongated central region, often Goddess-like in form, and frequently allowing a tree to be planted in the goal.

The Chartres style labyrinth takes its name from the great Gothic Cathedral of Chartres in France, where the master masons installed a black and white tiled labyrinth during a re-construction process that ran from 1194 to 1260, following a disastrous fire that destroyed the previous building. There was a great flowering of interest in the labyrinth during the Gothic period, at a time when those in Western Europe were turning their attention to the riches (on many levels) of the Middle East, and specifically the sacred lands around Jerusalem, in other words, the Crusades. Much more complex in design, in their use of sacred geometry, and in their ritual usage, these labyrinths were often used as an analogy for pilgrimage, serving as a substitute for the many who could not make the full journey to the Holy Land. In fact, some of the labyrinths became known by the name “Jerusalem”. Some of the more devout penitents are even known to have followed this pilgrim’s path on their knees.

The Chartres labyrinth has been given a new lease of life over the past twenty years or so, largely due to its re-discovery by Dr Lauren Artress, Deacon of Grace Cathedral in San Francisco. Lauren, who is also a qualified psychotherapist, quickly perceived the advantages of the labyrinth and endeavoured to bring it into use in her ministry at Grace, eventually creating the Veriditas labyrinth programme. There are now two Chartres style labyrinths at Grace, one being a large rug in the nave of the Cathedral, the other being a paved version outside the Cathedral and thus available for use twenty-four hours a day. (The latter was apparently sited by geomancer Feather Anderson to maximise the benefit of the on-site earth energies.)

In form, the Chartres style labyrinth normally has eleven circuits, broken down into four different quadrants, with a flower-shaped goal. The original also has 112 “lunations”, or semi-circular embellishments around the edges. These represent four lunar months of 28 days, and are believed to have had significance in establishing the floating Easter date of the Christian calendar.

Other Labyrinth Designs

A number of other variations on the labyrinth design are to be found, even in the wild, so to speak, Many of these are to be found at a unique site in the Pampas; this is known as Nazca in honour of the previous inhabitants of this now-abandoned landscape. It seems that the Nazca people were very sophisticated in terms of their weaving and pottery designs, but the most remarkable legacy that we have of their culture is the great number of large-scale line drawings of animal forms and other designs whose origin or meaning we can only guess. Amongst these are some designs that are strongly reminiscent of the Classical style labyrinth. Some of the most famous of all are a huge long-tailed monkey and a giant spider. not only are these line drawings, created with one simple line that does not cross itself at all, they also represent, but they also represent very distinct species that were not found in the immediate area.

The patterns are believed to have been ceremonial walkways, possibly allowing the participants to connect to the spirit of the power animal or totem represented on the plain. One of the most amazing facts about these designs is that they are so large they cannot be seen properly from the ground; they were only re-discovered in all their glory with the advent of aerial photography. So, how did the Nazca people manage to put them there.

New Modern Designs
The current wave of labyrinth creators have also made innovations in terms of design, as well as usage of the labyrinth patterns. Some of these, such as the “Santa Rosa” are derivations of existing patterns; others such as some of those created by Alex Campion are completely new.